My curatorial practice is based on an interdisciplinary approach. I am interested in exploring the relationships between contemporary art, history, territory and society, questioning established narratives and the ways in which we construct and convey identities, memories and systems of representation. The social and political dimension of art occupies a central place in this research, particularly due to its capacity to challenge power structures, dominant discourses and institutional conventions.

Engaging with artists and discovering their creative worlds form an essential part of this practice. I value closeness, dialogue and accompanying creative processes, seeking to establish relationships of trust and intellectual complicity that enable the development of new possibilities for reflection and experimentation.

Through dialogue between artistic practices, cultural contexts, and different fields of knowledge, I seek to develop projects that establish critical links between the past and the present. I view curating as a practice of research and critical reflection, capable of bringing perspectives into dialogue, sparking new interpretations, and promoting alternative forms of participation and knowledge production.